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Paradise Found Records

Staff Favorites

Our amazing staff have curated a selection of records that reflect their diverse and eclectic tastes. The following are essential albums that the staff believes are worth your time and attention. 

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'Didgeridoo' was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire.
Aphex Twin - Digeridoo (Exp) (Uk)
$38.99
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Tribute to Country music legend, John Anderson, produced by Dan Auerbach & David Ferguson with performances by Eric Church "Mississippi Moon," Brent Cobb "Wild And Blue," Luke Combs "Seminole Wind," Sierra Ferrell "Years," Ashley McBryde "Straight Tequila Night," Brothers Osborne "You Can't Judge A Book (By The Cover)," John Prine "1959," Nathaniel Rateliff "Low Dog Blues," Sturgill Simpson "When It Comes To You," Gillian Welch & David Rawlings "I Just Came Home To Count The Memories" & more!
Various Artists - Something Borrowed, Something New: A Tribute to John Anderson [Low Dog Blue LP]
$24.98
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Vinyl LP pressing housed in gatefold jacket. 2023 release. Rotten Sound have firmly established themselves as one of the leading acts of the grindcore scene. Expertly wielding the fierce brutality and massive aggression of their genre, the Finns add intelligent songwriting, effective arrangements, and musical proficiency as well as subtle death metal elements to their sound. Apocalypse embodies those aforementioned virtues to the point. The full length delivers eighteen short sharp chops that hit home perfectly.
Rotten Sound - Apocalypse (Gate) [Limited Edition]
$35.98
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Full of Hell burst forth with incredible force from the small, dagger-shaped city of Ocean City, Maryland, 15 years ago. Over five full-lengths, five collaborative full-lengths, and countless splits, EPs, singles, and noise compilations, they’ve evolved at extraordinary speed, their music becoming more complicated and technical without ever slowing down or losing its soul. Everything on a Full of Hell album feels like a blur: smears of guitar, harsh noise shaken like gravel in a bag, singer Dylan Walker’s snarl and bite carrying him into outer space or into the core of the earth. They’re coiled, interlocking, impossible to penetrate, and they move with alarming speed. 
They have now reached terminal velocity. Having created their own context, they’re now able to walk around within it, to survey its terrain, to visit far corners and see who’s nearby. Coagulated Bliss sounds like Full of Hell, but it’s nothing like any Full of Hell record that’s come before it. These songs are trimmer, less freighted with anxiety, more interested in opening up than speeding away. Its bile is sometimes funneled into traditional song structures. It never shies away from the extreme harsh noise, unrelenting spirit, and pitch-black sadness of previous Full of Hell records; if anything, the leanness of these songs makes them feel even heavier. Nevertheless, there are tracks here you might find yourself whistling hours after listening. It’s an extraordinary and unexpected evolution in sound for a band who made their name on rapid metamorphosis, and it’s the logical endpoint of everything Full of Hell has covered so far. “I wanted to try to take every aspect of what we’ve done from previous releases and integrate it into this one,” guitarist Spencer Hazard says. 
Coagulated Bliss was written and recorded shortly after the band completed When No Birds Sang, their collaborative album with Nothing. Working with the Philadelphia shoegazers gave Full of Hell new insight into the emotional and artistic power of classic pop songwriting, and to the importance of following a song where it wants to go. “That was a good experience of learning how to find what actually services a song,” Hazard says. “Even with Roots of Earth Are Consuming My Home, even when we’ve had an extreme grindcore influence, I still wanted it to be catchy.” Walker also cites the band’s work with The Body for helping him to “recognize that there was value in pop music.” Accordingly, Coagulated Bliss features some of Full of Hell’s strongest songwriting: Gone is the frenetic flailing of Garden of Burning Apparitions and Weeping Choir; in its stead is a richer, thicker sound, one that’s considerably less ornamented—and somehow heavier than ever.
These songs feel huge, totemic, groundshaking. In “Gelding of Men,” the entire band hammers away at one chord, stomping it into the ground at mid-tempo, blasts of horns helping to push.The numbskull stomp of “Doors to Mental Agony” sets up a circle pit, blasts it apart with a grindcore chorus, then slides away on a slanted riff. In the title track, they bounce back and forth on a thick groove, punctuated with occasional cowbells and scratched up by Walker’s scream, barrel into a pummeling chorus, then jump back out onto the dance floor. 
While the focus on songwriting already makes Coagulated Bliss the most grounded album in Full of Hell’s catalog, it’s also the first Full of Hell record that tries in earnest to reflect the world around it—not in some broad, monotony-of-evil way, but the everyday horrors of life in small town America. Three of the four members of the band were raised in Ocean City. Hazard and Bland still live there, while Walker is located in central Pennsylvania and bassist Samuel DiGristine relocated to Philadelphia. “The American dream is small towns,” Hazard says. “But anyone that’s grown up in a small town realizes it’s just as fucked up in a small town as it is in a big city—if not more, because it’s more condensed.” 
Walker’s lyrics have always framed their suffering with what he calls “fantastical, metaphorical shit,” but on Coagulated Bliss his writing is clear and direct. The album’s title is meant partly to reflect the idea of the over-pursuit of happiness leading to misery—whether in addiction, greed, or anything else. “Your happiness is just out of reach and you don’t know why,” he says. “Too much of this bliss, you think you’ve found your endpoint, but it’s really just this small, tiny, little thing that’s going to ruin your fucking life. And that could be anything.” Much of the album is rooted in the band’s own experiences. “A hundred dead ends, a thousand dead friends,” Walker screams on “Doors to Mental Agony.” “I hear their howling, I hear them weeping.” There are corpses slicked with morning dew, “false balms for deep wounds,” numb failures, thieves in the night and killers in the dark. There are many trackmarks; there are many dirty needles. 
The album’s viciousness and Walker’s clear reading of the world around him might scan as misanthropy—“humanity to blame,” he concludes after running through the ways the earth is “riddled with sores” in “Gasping Dust”—but it comes from a place of disappointment that’s driven by a deep love for people and life and the world. “There’s not a lot of anger, to be honest,” he says. “I’ve never felt anger when we’re playing, ever. It feels like electricity that’s built up in my body that has to get out. But I feel more profoundly sorrowful than I ever do anger.” 
The world may be in a constant state of bitter flux, but Full of Hell have never sounded more at home in it.“We’ve shed any kind of ‘do we belong in this space, what do people expect of us,’” Walker says. “The joy is in the pursuit.” The loosening of their grip on the direction of their music has made it feel paradoxically closer to the bone. “People tend to burrow themselves so deeply into things they love,” Walker says. “It’s too much of a good thing, and it almost cheapens it.” By paring back their sound, Full of Hell aren’t just finding a new way forward: They’re proving that a little bit less of a good thing can add up to so much more.
Coagulated Bliss was recorded at Developing Nations in Baltimore by Kevin Bernstein, mixed by Taylor Young at The Pit Recording Studio in Van Nuys California and mastered by Nick Townsend of Infrasonic Sound in Los Angeles California. Full of Hell is Spencer Hazard (guitar/electronics), David Bland (drums/vocals), Samuel DiGristine (bass/sax/vocals), and Dylan Walker (vocals/electronics/lyrics), with new guitarist Gabriel Solomon joining following the album’s completion. Coagulated Bliss is out April 26 via Closed Casket Activities.
Full Of Hell - Coagulated Bliss [Clear with Splatter LP]
$23.98
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Nana Grizol

Ruth

Vinyl: $33.98 Buy

Nana Grizol's second album, "Ruth" is a potent mix of revved up melodic folk punk, laced with intricate horn arrangements and sleazy, ripping guitars. It alternates between contemplative, beautiful folk arrangements and blasting rock and roll, often within the same song. "Cynicism" kicks things off with a haunting finger picked guitar melody, mixed with a lush horn arrangement. "Galaxies" then kicks things into high gear with it's infectious swagger. "Black Box" is an album highlight, with it's urgent, tense backing of a lyrical rumination on mortality. "From Here" opens with a jubilant, group vocal, then channels Neil Young's Crazy Horse for a blazing, energetic guitar workout. "Sands" ends the album with an ominous, horn backed swell that builds into an expertly crafted pop song, leaving off on a dark but hopeful note.
Nana Grizol - Ruth
$33.98
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In 2016, Foals singer Yannis Philippakis was offered the opportunity of a lifetime: a two-day session with the great drummer Tony Allen. The pair quickly established an intuitive telepathy, and the music, germinated from jams and loops, and was complemented by a unique atmosphere of two cultures and creatives colliding. Joined by Tony’s regular collaborators Vincent Taeger (percussion, marimba), Vincent Taurelle (keys) and Ludovic Bruni (bass, guitar) that first meeting resulted in a handful of near complete songs, which were further developed during a couple subsequent sessions. But between scheduling issues and Covid restrictions, the recordings were not completed before Tony passed away in April 2020. Yannis felt a deep duty to complete the project, not only as a bittersweet way to honor and celebrate his old friend, but also because Tony had been so eager to share these songs with the world. The result is this five-track EP, Lagos Paris London, under the Yannis & The Yaw umbrella.

Yannis & The Yaw feat. Tony Allen - Lagos Paris London [ Indie Exclusive Red Color]
$27.98
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Vinyl LP pressing. Includes digital download. First released in 2001, this album is fully remastered, remade and presented once more in it's entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat. // As Muzik magazine noted on it's initial release, 'In The Beginning' is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst. The bands featured come (mostly) from the then bleak post-industrial North of England - Manchester, Sheffield, Leeds as well as Bristol and London, and yet all show a fascination with black American rhythms and an experimentation in sound that was completely unique at the time. The title of the album comes from The Slits track of the same name. This double vinyl edition with download code comes complete with two bespoke inner bags containing extensive sleevenotes and original photography.
Soul Jazz Records Presents - In The Beginning There Was Rhythm [Download Included]
$44.98
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Captain, We're Sinking and Run For Cover have come together to re release the band's debut album as a 10 Year Anniversary Edition, limited to 500 Copies.Available on vinyl for the first time in years, this Anniversary Edition LP features two bonus tracks - "Let's Play Kill All the Humans," a b-side from the band's 2012 "Montreal" single, and a cover of Abner Jay's "I'm So Depressed."The Future Is Cancelled is the highly anticipated debut full-length from Scranton, PA's Captain, We're Sinking. This stunning display of gritty punk and gut wrenching storytelling sees CWS stepping into place their alongside contemporaries The Menzingers and Tigers Jaw while challenging boundaries set forth by genre greats like Against Me! And Alkaline Trio.Every aspect of The Future Is Cancelled is rife with a frazzled desperation, each element trying to make sense of a modern existence. Pensive, but emotional and always meandering, the vocals spin half-yelled melodies around half-broken characters. A Buzzing and jangly guitars, pounding bass and dynamic drums guide the journey perfectly - at times controlled and at others completely reckless.On The Future Is Cancelled, Captain, We're Sinking offer no answers and make no promises. Instead the band offers a crystal clear view into a confusing and foggy time where one grapples with the horrors and uncertainties of impending adulthood.
Captain, We're Sinking - Future Is Cancelled (10 Year Anniversary Edition)
$24.98
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On the blazing heels of their highly-lauded 2021 debut album, Sermons Of The Sinner - which debuted within the Top 20 on charts in the United States, the UK, Germany, Sweden, Finland and more - KK’S PRIEST return to sin again with their savage sophomore offering, The Sinner Rides Again, out September 29, 2023 via Napalm Records. The powerhouse heavy metal amalgamation of iconic Judas Priest alum and GRAMMY Award winning/nominated musicians K.K. Downing (guitar) and Tim “Ripper” Owens (vocals), along with A.J. Mills (guitar), Tony Newton (bass) and Sean Elg (drums), double down on the ripping melodic force of their debut - which Metal Hammer UK dubbed “hugely enjoyable” and Metal Injection cited as boasting “catchy hooks and plenty of guitar wizardry”. The Sinner Rides Again boasts nine tracks of pure hellfire, produced and written by Downing and mixed/mastered by Jacob Hansen. After stepping out of the Judas Priest spotlight, the return of K.K. Downing was uncertain. Nearly ten years after its onset, the genre-defining guitar icon returned from his hiatus with proof that he was nowhere ready to cease writing classic metal songs or to put away his famous Flying V guitars - taking part in acclaimed international comeback performances (including with his former Judas Priest bandmates when they were inducted into the Rock & Roll Hall of Fame in November 2022) that would act as harbingers of the formation of KK’S PRIEST. Downing was recently quoted saying, “We've lost a lot of great people – Dio, Lemmy, for example – but this amazing and unique style of music must be preserved for as long as possible and I feel it within me to continue to play my role, as I always have, and to defend this metal genre, which we all know and love.” The Sinner Rides Again is a testament to this call for the classics while speeding full force into the future, delivered by some of heavy metal’s most essential performers. A haunting introduction of dual guitars carries the listener into the thundering “Sons Of The Sentinel”, winding across a wasteland of burning riffs and a deftly dynamic guitar solo to kick off the record with relentless energy! The undeniably catchy anthem “Strike Of The Viper” proves itself as one of the album’s most unforgettable tracks, before “Reap The Whirlwind” crashes in with a classic heavy metal power thrust of soaring leads, hair-raising harmonics and earworm vocal hooks. “One More Shot At Glory” raises its sword high, instantaneously calling for battle with its opening riff and beckoning verses. Heroic chants and unrelenting double bass set the stage for a galloping midsection as a spine-tingling guitar solo commands the song. Striding “Hymn 66” commands with sultry, slow and low metallic punches and a bluesy gait, while massive title track “The Sinner Rides Again” straddles balladic passages and sinister, head-bobbing choruses. Beginning with ominous bells, “Keeper Of The Graves” rounds the final bend of the album with roaring cascades and a dynamic performance from Owens, before charging “Pledge Your Souls” and rollercoaster closer epic “Wash Away Your Sins” rise as the final embers of a certified burner - proving itself as a must-hear metal album of the year by the greatest to ever perform the genre!

KK's Priest - The Sinner Rides Again [Indie Exclusive Limited Edition Clear LP]
$28.98

        
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